The purpose of having a control surface is to get away from mouse-driven software navigation as much as possible and these six little buttons now mean that a huge Pro Tools function can be run remotely. This is great news and, some would say, overdue. The 003 now offers the opportunity to set up and switch automation modes direct from the front panel itself, with six dedicated switches lying to the left of the eight motorised faders. The first way in which improved ergonomics have been implemented is automation-based. This inclines towards the front, is much easier to read and actually does a decent job as a kind of administrative meter bridge.
There´s a further design improvement at the top of the unit´s front panel too, as the Digi 002´s short LCD windows (which appeared above each channel strip), have been replaced by one long, continuous pane. Digidesign have concentrated their efforts on trying to make it easier to do more from the interface, hence the extra buttons. Despite the sleek exterior, the top panel is actually busier than on the 002, because of some functions that have been added at the interface stage itself. While the 002 didn´t suffer either of these problems too extremely, the 003 is certainly easier on the eye. After all, you´re going to spend hours with this in your studio and you don´t want to spend them frustrated by design or squinting at illegible print.
People tend to be split on this: does the design matter, as it´s not exactly going to be audible on the music you produce? But such things do make a difference to working practice. The slightly brooding, dark grey livery has been replaced by a more beige and cream design, and - in case you´re thinking that sounds a bit safe - rest assured that it all makes for far easier reading and operating. Aesthetically, the 003 is a much better looking box than its predecessor.